![]() ![]() the perils of mimesis: mimesis is viewed as a form of Daedalan/Ulyssean trespass.the evolution of Dante’s sense of personal honor, and his learning to move beyond society’s codes for what is honorable and what is shameful: the canzone Tre donne and Dante’s proclamation “l’essilio che m’è dato onor mi tegno” ( Tre donne, 76).an analysis of Dante’s personal and moral reading of vendetta, based on my observation that vendetta is featured in the definition of anger in Purgatorio 17.the culture of vendetta in Dante’s world.from Bertran de Born, “lord of Hautefort”, to Geri del Bello: what sense do feudal honor codes have in mercantile Tuscany? A critique of mercantile Tuscany that picks up from the canzone Poscia ch’Amor (circa 1295).29.33): Dante’s term “consorte” echoes the contemporary term consorteria the definition of a kinsman as a “ consort in shame” ( Inf.family honor and male codes of behavior now take a personal twist through the encounter with Dante’s own kinsman, Geri del Bello. ![]()
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